As a writer and poet (redundant!), I have learned a myriad of ways to get an idea, work up an introduction, add three points, then end with a summary. This is our retired-English-teacher-member’s construction of an essay.
Here’s
the idea I’ve had of jotting in my journals (one for the office, one for the
dining table) what I call a clever use of poetic devices in the
news-commentary-analyses-opinions and sometimes, ranting. It’s as though these
folks took a class in poetry, or were taught that alliteration and assonance
(what??) always elicit a positive vibe from the proofreader or editor.
Around
three months ago, I began noting phrases I thought were from the
poetic-devices-catalog, citing the journalists from whose mouths came these
potentially poetic thoughts.
Now,
the trick is how to paragraph them into what might pass as an essay. Let’s call
the preceding verbiage the introduction and what follows as the three points of
my subject.
ALLITERATION seemed to be the most used. I’ll bullet each example and
cite its source.
· “Books,
bathrooms and Bibles: – these state-approved bills were thought to be counter
to their purposes and it was a sub-hed to “New Laws Concern Library Director”
by Grace, Hurt and Thompson, from the Arkansas Democrat-Gazette.
· “The
answer . . . appears to be a toxic blend of profits, politics and purposeful
cruelty.” –– Thom Hartmann.
·
“ . . . tariff-turvy country.” –– Frank Bruni
·
“ . . . gluttonous Gotrocks. . . –– Ibid
·
“The presidency . . . isn’t a privilege, it’s a
profit center.” –– Ibid
·
“ . . . trickle-down triumphalism.” –– Ibid
·
“. . . too minor to matter.” –– Experts on
finding Hegseth’s plagiarism, Raw Story
·
“. . . callously and carelessly . . . “ ––
Maureen Dowd, NYT
·
“. . . more volatility than value.” –– Ibid
ASSONANCE,
HOMOPHONES, INNER RHYME
·
“ . . . swirls of uncertainty . . .” ––
Economist Lindsey Owens, Raw Story
·
“ . . . perverse dissonance . . .” –– Frank
Bruni
·
“ . . . armed with charm . . .” –– N. Allinson,
M Birnbaum, J. Stein on UK’s Starmer
·
“All gilt and no guilt.” –– F. Bruni
·
“The Trump slump is upon us.” –– Lindsey Owens, Raw
Story
·
“. . . groused about . . .” –– Adam Nichols, Raw
Story
·
“. . . performance of governance without
substance.” –– Democracy Index
REPETITION AND
RHYMING
·
“The least informed, least curious, least
logical, least credible, least responsible [president] in history.” –– Jen
Rubin, The Contrarian
·
“ . . . where the conflict of interest becomes a
confluence of interest.” –– Maureen Dowd, cited by F. Bruni
·
“ . . . the times are flush/ and the digs are
plush.” –– F. Bruni
·
“The world may be going to hell/but don’t worry,
the president’s doing well.” –– Dana Milbank, Washington Post
METAPHOR
·
“. . . leaving his demolition derby of DOGE.” ––
Democracy Index
·
“. . . the lug nuts on the wheels of the White
House bus continue to loosen.” ––Heather Cox Richardson
In summary, these selections seemed to be
right out of the poetry clinics I’ve attended, including the two online MFA
poetry classes from the University of Arkansas at Monticello. Though I worked
hard on those class poems, this compilation was a similar situation. Online
news, analyses, commentaries, opinions are my conduit to the world sans TV and
a smart phone. And it’s a lot quieter, too.
Viva la poetry! Especially in prose!
c 2025, PL dba Lovepat Press, Benton AR USA
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